Tapiz II

This work unfolds on the wall like a textile body that has learned to inhabit the surface. Its irregular form, without rigid boundaries, proposes a soft territory where multiple textures coexist: overflowing fibers, knots emerging in relief, fragments expanding like sprouts or tides. The artist combines techniques and materials that produce varying degrees of density. In some areas, the matter concentrates and foams; in others, it flattens like an eroded landscape. This contrast generates a movement that seems to pulse silently, as if the piece were in the midst of mutating. The use of white and beige does not neutralize the work, but rather intensifies the tactile experience: each surface demands to be looked at closely, perceived almost with the body. The textile acts as a skin that contains, but also as a crack that releases the energy within it. The piece oscillates between the organic and the abstract. It can be interpreted as a fragment of landscape, as a membrane, or as a biological vestige. However, it doesn’t limit itself to any of those interpretations: it remains in a state of active ambiguity, open to new ways of being seen. In this work, the artist doesn’t represent life: she constructs it through thread, gesture, and time. Softness becomes structure. Intimacy acquires scale. And matter reminds us that it, too, knows how to transform.