From the Earth

This textile sculpture presents a composition that articulates two complementary material languages: on one hand, expansive surfaces of crinkled fabric in reddish-brown tones; on the other, quilted ivory textile lines that meander and coil in spiral forms. The interaction between these two materials creates a dynamic relief that oscillates between the organic and the gestural. The reddish fabric forms a voluminous and expressive base, whose irregular, almost earthy texture evokes eroded landscapes, mineral crusts, or exposed geological layers. Above this substrate, the ivory lines move like energetic flows: they curve, coil, fold back on themselves, and generate an undulating rhythm that guides the eye across the whole. These lines are reminiscent of both natural formations—roots, streams, plant skeletons—and lines drawn in space. The chromatic and tactile contrast between the two elements lends the piece a balanced tension: the warm, earthy density of the base engages with the almost skeletal clarity of the white forms, which seem to emerge or grow from within the structure. The composition, though abstract, suggests an upward movement and a transformation in progress, as if it were a living form in the midst of mutation. Suspended on the wall, the work behaves as an autonomous entity that integrates soft sculpture, textile relief, and three-dimensional drawing. Its morphology does not seek literal representation, but rather invites a sensory interpretation in which the materials function as carriers of memory, energy, and gesture. In this encounter between texture, volume, and line, the piece reclaims textiles as a sculptural medium capable of constructing worlds, narratives, and expanding forms. It can be displayed vertically and horizontally, creating different effects within the decorative arrangement.